Category Archives: New This Week!

Chernobyl Diaries: Worth the ride

OLIVIA TAYLOR DUDLEY as Natalie, JESSE McCARTNEY as Chris, JONATHAN SADOWSKI as Paul, DEVIN KELLEY as Amanda, DIMITRI DIATCHENKO as Uri, NATHAN PHILLIPS as Michael and INGRID BOLSÖ BERDAL as Zoe in Chernobyl Diaries. Courtesy of Warner Bros. Pictures

Twenty-six years ago, the catastrophic Chernobyl nuclear disaster struck the Western portion of the then U.S.S.R. and parts of Europe claiming thousands of lives and infecting even more with cancer. Almost three decades later, the man behind the hit Paranormal Activity creates a horror involving the remnants of the abandoned radioactive site. Are you game?

Chernobyl Diaries takes you along with six tourists who bravely, or foolishly, take an unofficial tour of the abandoned city. Things take a turn for the worse and they find more in the city than abandoned buildings and cars.

What is interesting about the movie is its attempted original concept from Oren Peli. Peli and two co-screenwriters pieced together a situation that makes you feel as if it could possibly happen. Sure things aren’t perfect, but their screenplay does provide a fun suspenseful scream-worthy ride.

Choosing first time director Bradley Parker (a visual effects artist for films like Fight Club) was a wise choice. Parker uses handheld camera work throughout the movie, but never gets carried away with shaking the camera resulting in a theatre full of observers suffering from motion sickness (hope the makers of the next Hunger Games movie are taking lessons).

Finding talent most people will not recognize has become a trademark for Peli’s movies. Considering what was asked of them, the cast did a fairly good job with the script and the amount of action involved.

In the end, this will not provide the fright-fest Paranormal Activity did, but it does take you on journey you’ll find unsettling the first time around. After that, you’ll find the replay value takes a dive off a towering cliff.

Bottom Line: Worth watching once if you’re in the mood for a creepy scare.

Grade B-

Runtime: 90 minutes
3D: No


To Talk, Or Not To Talk… There really is no question.

You’ve bought your pricey movie ticket and you’re walking into a large room with stadium seating facing a massive white screen. You are jumping with excitement on the inside because you’ve been waiting to see this seemingly perfect movie for months and the moment has finally arrived. You eye your favourite seat, which is available, because the genius that you are, arrived extra early to dominate that perfect spot. The auditorium fills to capacity and you are minutes away from experiencing the film you’ve been lusting after for weeks.

The long, painful wait is over and the feature starts. The brilliant plot is slowly revealed and the dialogue is intensely intriguing. Two of the main characters are having a gripping conversation, but there’s a couple in front of you talking loudly and you’re momentarily distracted. You look back up at the screen in anger and the on-screen conversation is over. It takes a minute or two, but you manage to calm down and sink back into the imaginary world before you.

Ten minutes later, you’re right back into the heat of the movie and things are bubbling with excitement. There’s a shocking revelation about the man with the green hat and the crowd gasps. He starts describing his incredible predicament and Lady Gaga is blaring along with him… Wait, that’s not right, no it’s someone’s cell phone going off. Everyone in the theatre turns to face the jerk whose Blackberry is ringing and in complete astonishment to everyone else, he picks it up. The nerve of this guy! He talks as if he’s at home and people begin yelling at him to shut the phone off and keep his stinking trap zipped.

By now, the scene is over and most have missed the deep plot point. It takes you about five minutes to cool down because you’re baffled by the inconsiderate monkey who was talking on his phone. You’re just about to try and dive back into what’s left of the film and a teenage girl two rows in front of you is texting on her large and super bright iPhone. At this point, your attention is so far removed from the movie that you just cannot re-focus your energy into it. You spend the remainder of the feature just riding along without truly being invested in what’s taking place and brooding over the inconsiderate pricks that have ruined your long anticipated treat.

This is what talking, using your cell phone, and providing an uninvited distraction during a movie will result in. We’re living in an age where inconsideration has become common practice in movie theatres. Most of these self-centred delinquents fail to realize that we have not spent our hard earned money to listen to them talk, be entertained by their cell phones, or listen to their babies howl. We’ve invested our money in a well-deserved two hour distraction provided by Hollywood filmmakers. If chatting with someone takes precedent over the movie going experience, stay home or go somewhere more conducive to your needs, might I suggest an overpriced coffee shop?

The question is: Who should be responsible for keeping the silence in the cinema? Studios are desperately trying to get people back into theatres as ticket sales are dropping. 3D has helped a great deal, but people are becoming weary of paying extra to deal with the yahoos who disrupt their experience. The amount of tickets being sold has declined. Evidence for this trend can easily be found on sites like or by looking at the adjusted for inflation movie grosses. Of the top 50 films of all time, only 5 were made in the last 12 years.

If studios and cinemas want to bring back the audience, perhaps enforcing their pitiful pre-show warnings to turn off cell phones and keep quiet would be of greater effect.

Or why not issue movie going licences. Every time someone is caught disrupting a movie, they receive a demerit point. Once you’ve lost enough points (3 should be the maximum!), you lose your movie theatre privileges for a month or more. Continue acting the fool and you’ll be banned for life. This would definitely weed out the ignorant, self-centred wankers who just don’t get the message.

At least we can dream….

For now, I’ll have to stick to my home theatre, which may not have as large a screen as the cinema, but at least I’m able to enjoy my movies in uninterrupted silence foregoing the need to suffocate someone with a bag of popcorn.

Battleship: Good old fashion explosion porn

John Tui, Taylor Kitsch, and Rihanna star in Battleship. Courtesy of Universal Pictures

For the past two decades, Michael Bay has been “King of the explosion”, “Master of destruction”, “Terror to critics who flat out hate him”, etc. We’ve reached a milestone in Hollywood today with the release of Battleship, whose director, Peter Berg, has finally dethroned Bay with his movie which could have been alternately titled, “Life of an Explosion”.

In Battleship, Alex Hopper, a guy going nowhere in life, reluctantly joins the Navy and falls for the admiral’s daughter. Then, aliens are signaled to Earth and they do battle, much like the board game from Hasbro of which the movie is based.

That’s right folks, the story is about as thin as brothers Erich Hoeber (Red) and Jon Hoeber (Red) could possibly make it. Their script celebrates clichés and cheesy dialogues, leaving plenty of time for the director to blow everything up.

The cast is pretty much dreadful to watch. A lot of the attempted humor falls flat and there was no chemistry between any of the actors – Especially between Taylor Kitsch and Brooklyn Decker as the “love struck” couple. Kitsch better do something worth watching soon or he may find himself stuck in the “B” movie zone. What’s really sad is that the only person worth watching, Liam Neeson, was given very little screen time, even if the trailers would have you think otherwise.

However, if you’re in the mood for endless action or enjoy explosion “porn”, this movie has the goods to satisfy your every need. Some of the Transformers inspired CGI is crude, but at least the movie is shot nicely which allows the audience to see the ballistic action in its entirety.

Bottom Line: With your finger on the fast forward button, this is a great piece of demo material for your home theatre.

Grade C-

Runtime: 131 minutes
3D: No

The Dictator: Hilarious social commentary

Sasha Baron Cohen strikes a pose in The Dictator. Courtesy of Paramount Pictures

The shock and awe of Sacha Baron Cohen hit the world in 2006 with his infamous portrayal of Borat, the inept Kazakh enduring Western culture. He made us laugh with his outlandish actions and now he’s at it again with his new survey into Middle Eastern cultural norms.

The Dictator takes us into the life of the ruler of the fictitious country of Wadiya, and his attempts to keep his tyrannical rule over his people. His journey is thrown into disarray when he is forced to live as an average peasant among the people of the United States.

To sum it all up, a moron who has power thrust upon him from birth, brings his absurd beliefs to Western civilization giving himself and those around him an unsympathetic culture shock.

There are few people who could conceive of these ideas and even fewer who can make them work. Sacha Baron Cohen is one of them. He has makes a bold statement in this movie that can only be seen as a social commentary.

His character, General Aladeen, is portrayed almost perfectly by Cohen. His accent was sometimes inconsistent (being nitpicky here) when compared to his performance as Borat. Regardless, his antics are hilarious and he keeps the laughter amongst the audience consistent.

With his incredible character acting, we are really looking forward to Cohen’s future portrayal of entertainment legend, Freddie Mercury.

For those who were disappointed with his last effort in Brüno, you’ll enjoy the political commentary as well as the craziness this almost lovable political maniac delivers.

Bottom Line: There’s a deeper message hidden amongst the humor. It will make you laugh, but also make you think about what we have as a society and how much further we still have to go.

Grade B

Runtime: 82 minutes
3D: No

Dark Shadows: Has Johnny Depp reached his peak?

Helena Bonham Carter, Chloë Grace Moretz, Eva Green, Gulliver McGrath, Bella Heathcote, Johnny Depp, Jackie Earle Haley, Jonny Lee Miller, and Michelle Pfeiffer star in Tim Burton’s imagining of Dark Shadows. Courtesy of Warner Bros.

1961 was the year the gothic soap opera Dark Shadows premiered, leading to a worldwide following. Tim Burton has taken it upon himself to turn the now cult-classic television show into a feature film. Unfortunately, he missed a few beats along the way.

This TV to film imagining tells the tale of cursed vampire, Barnabas Collins, waking up after an almost 200 year imprisonment in order to return his family’s name to its once respected stature.

For all of you who have seen the trailer and are loyal followers of Johnny Depp and Tim Burton’s projects, hold your horses before galloping off to the cinemas. The trailers for this movie have led you all to expect some new, enthralling, deep dark comedy. This could not be further from the truth.

What Burton and Co. have delivered is a drawn out melodrama with a few comedic moments, almost all of which can be found in the trailer.

Along with this deception, you’ll find the imaginings of the entire production disingenuous or missing entirely from the project. There isn’t a single acceptable performance among the cast of otherwise wonderful acting talent. Depp, whose recent cinematic outings have been an über disappointment, suggests he may have reached his limit and we shouldn’t expect anything more from him.

The only contributors worth their paycheque in this movie are the cinematographer and the special effects team, who provide the perfect accompaniment to this dark tale.

Bottom Line: Due to false advertising, your expectations are your greatest enemy. Unless you have an absolute need to revisit the show you once loved projected on a larger screen, save your mullah and rid your mind of this major disappointment.

Grade D

Runtime: 113 minutes
3D: No

The Avengers: Simply the best!

Scarlett Johansson, Chris Hemsworth, Chris Evans, Samuel L. Jackson, Jeremy Renner, Robert Downey Jr., and Mark Ruffalo all star in The Avengers. Courtesy of Disney Pictures and Marvel Studios

Unless you’ve been living under a rock for the last four years, you’re aware that Marvel’s The Avengers is getting its cinematic debut. The core characters have been established through five excellent movies; Iron Man, The Incredible Hulk, Iron Man 2, Thor, and Captain America: The First Avenger. The success of these movies have driven expectations for the ensemble film to a sickening high and the pressure rests squarely on Joss Whedon’s shoulders to deliver the goods (I wouldn’t want to be in his shoes).

The story is simple enough; a team of heroes assembles for the first time to stop the mischievous Loki from turning the people of earth into slaves. While it may sound like an uncomplicated premise, Joss Whedon (Buffy the Vampire Slayer, Serenity) managed to give this movie a sense of depth making this more than your basic popcorn, superhero mash-up. This is a great movie, period.

Whedon has proven any naysayers wrong through his masterful direction of the powerhouse cast. He allows the ensemble to share the screen time equally, giving the misfit characters added dimension. His incredibly balanced script is filled with hilarious wit, but also has a solemn tone to it.

Speaking of balance, you’ll find no better balance than the expertly chosen cast of this film. All returning actors, including Robert Downey Jr., Chris Hemsworth, Chris Evans, and Tom Hiddleston retain their high caliber work that we’ve seen in their previous films. Ruffalo plays Bruce Banner/The Angry Green Giant excellently and validates the decision to be rid of his inferior predecessor, Edward Norton.

The thundering action is constant but never overbearing, improving on the special effects of the previous films. The Hulk in particular is a real scene stealer, but for more reasons than the detailed CGI. Just watch it… you’ll see!

The post-production 3D treatment is actually decent when the scenes are bright. Unfortunately, the first half of the movie features a lot of dark scenes, which is difficult to see with 3D’s light-stealing limitation. A 2D presentation is better suited to serve your eyes and this phenomenal movie.

Bottom Line: This is the best superhero movie to date! Yes, even better than The Dark Knight.

Grade A+

Runtime: 142 minutes
IMAX: Yes, but only for one week
3D: Yes

The Avengers Trivia

With the release of The Avengers only days away in North America, I thought everyone would like some fun trivia about the movies that led up to the ensemble film. We’ll move in the chronological order of the movies.


Click here for the spoiler-free review of THE AVENGERS



“Rachel McAdams was Jon Favreau’s first choice to play Pepper Potts, but she turned the role down.”
While I think McAdams is a fine actress, I much preferred the mature performance and actress in Paltrow.

“The script was not completely prepared when filming began, since the filmmakers were more focused on the story and the action, so the dialogue was mostly ad-libbed throughout filming; Jon Favreau acknowledged this made the film feel more natural. Some scenes were shot with two cameras to capture lines improvised on the spot; Robert Downey Jr. would ask for many takes of one scene since he wanted to try something new. Gwyneth Paltrow, on the other hand, had a difficult time trying to match Downey with a suitable line, as she never knew what he would say.”
Poor Gwyneth, great work Downey.

“In October 1999, Quentin Tarantino was approached to write and direct the film. Later, Joss Whedon, a big fan of the comic book, was in negotiations to direct the film in June 2001. In December 2004, Nick Cassavetes was hired as a director, with the film to release in 2006, but everything fell through. Finally, Jon Favreau was hired as director in April 2006.”
Iron Man by Tarantino… Chances are there would have been a lot a lot of people being blown to a bloody smithereens by Iron Man.

“Nicolas Cage and Tom Cruise were interested in playing Iron Man. Cruise in particular was going to act in and produce the film. According to Jon Favreau, Clive Owen and Sam Rockwell were among the actors that were considered for Tony Stark during pre-production. Jon Favreau wanted Robert Downey Jr. because he felt the actor’s past was right for the part. He commented: “The best and worst moments of Robert’s life have been in the public eye. He had to find an inner balance to overcome obstacles that went far beyond his career. That’s Tony Stark. Robert brings a depth that goes beyond a comic book character having trouble in high school, or can’t get the girl.” Favreau also felt Downey could make Stark “a likable asshole”, but also depict an authentic emotional journey once he won over the audience.”
Thank goodness they went with Downey!

“In the scene where Pepper discovers Tony removing the damaged Iron Man armor, you can clearly see Captain America’s shield on a workbench. This same scene was shown in many trailers, but the image of the shield was edited out.”
Stark didn’t know about Capt. America.

“This is Marvel Studios’ first self-financed movie. It took around 17 years to get the film into development. Originally, Universal Pictures were to produce the film in April 1990. They later sold the rights to 20th Century Fox. Later, Fox sold the rights to New Line Cinema. Finally, Marvel Studios decided to handle their own creation.”
And it shows. It led away from the poorer X-Men and lack-luster Spider-Man movies.

“Brian Bendis had written three pages of dialogue for the Nick Fury scene, out of which the filmmakers chose the best lines. To keep it a secret, the scene was filmed with a skeleton crew and was deleted from all previews of the film, which thus maintained the mystery and surprise and kept fans speculative and interested. It conclusively appeared in the final cut as a post-credits scene.”
Upon seeing this scene, I was ready for The Avengers.



“Louis Leterrier had been interested in directing Iron Man, but when Jon Favreau took that project Avi Arad (Producer) offered him a sequel to Hulk.”
Favreau made a better movie than Leterrier.

“Edward Norton, who had previously rewritten films he starred in, wrote a draft of the script which Louis Leterrier and Marvel Studios found satisfactory in establishing the film as a reboot of Hulk. As Norton explained, “I don’t think that in great literature/films explaining the story’s roots means it comes in the beginning. Audiences know the story, so we’re dealing with it artfully.” Norton’s rewrite added the character of Doc Samson and mentioned references to other Marvel Comics characters. He also wanted to put in “revelations about what set the whole thing in motion” that would be explained in future installments.”
Norton has too much attitude to properly play Bruce Banner, in my opinion. Bana delivered the better performance with the lesser director.

“According to Tim Roth, Edward Norton rewrote scenes every day. Edward Norton rewrote the script substantially and in certain posters, he was credited under the pseudonym of ‘Edward Harrison’. Norton’s writing credit was later denied by the WGA, and Zak Penn is the only writer credited.”
That’s probably why Marvel decided against asking him to return.

“There are references in the film to Marvel Comics’ next film, Captain America: The First Avenger. Firstly, there is a portrait of Steve Rogers, the original Captain America, seen in the General Ross’s office. Next, a label can be seen on the storage tank reading: “Dr. Reinstein.” Reinstein was the doctor who developed the Super-Soldier serum that transmogrifies Rogers into the Captain. Although cut from the theatrical run, Captain America can be seen in the alternate beginning on the DVD and Blu-Ray. When the last piece of ice breaks up toward the screen, hit the pause button. There, frozen in the ice, lays Cap with his shield.”
I missed all of these references when I first watched the movie.

“The VFXperts based the Hulk and Abomination’s movements on football linebackers.”
They could have used a motorcycle as a ball.

“According to Louis Leterrier, the final scene (Banner grins as his eyes turn green) was a deliberately ambiguous shot: it was meant to show that Bruce finally learns to controls the Hulk (for a Hulk sequel) or will become a menace (as the villain for the film The Avengers).”
The Hulk is the menace you want fighting on your side.

“In the post-credits scene, General Ross is drinking an “Incredible Hulk” cocktail at the bar. It is made using equal parts of Hennessy cognac and Hpnotiq liqueur.”
I’ll be having a few of these before I watch The Avengers again.



“Emily Blunt was set to star as Black Widow but had to pull out due scheduling conflicts with her movie Gulliver’s Travels. Jessica Biel, Gemma Arterton, Natalie Portman, Jessica Alba and Angelina Jolie were also considered for the role of the Black Widow.”
While her acting isn’t the best, Scarlett did a good job with the role. It would have been great to see Blunt or Arterton in the role. Better actresses on all counts.

“Samuel L. Jackson was promised that Nick Fury would be given more screen time by director Jon Favreau. Jackson almost didn’t return to play Fury, due to problems with contract negotiations, but secured a landmark nine-picture deal to play Nick Fury not only in this film but in many other Marvel Studio productions.”
I guess he got tired of the quick post-credits scenes.

“Edward Norton was rumored to reprise his Incredible Hulk role as Bruce Banner, in a cameo for this film, as a foreshadowing of The Avengers.”
It worked out in the end. Would have upset people even more had they seen him as Banner a second time.

“Although Mickey Rourke spent several months on treadmill and weight training, he initially was still unable to move around and use the whip prop in the Whiplash outfit test due to its sheer weight. To get around this problem, Rourke would wear heavy vests in subsequent physical training sessions to accustom his body in moving while wearing heavy armor.”
Rourke’s a big boy. That suit must have been heavy!

“Scenes in the film explicitly foreshadow The Avengers:
• When Tony goes through his father’s case an old Captain America comic book can be seen inside; later he uses Captain America’s shield (a prototype) to build a reactor
• a news report of The Incredible Hulk’s campus battle is seen near the end of the film
• Stark and Fury discuss Stark’s membership throughout the film
• and Agent Coulson finds Thor’s hammer in a crater in the post-credits scene.”



“In 2005, Matthew Vaughn was going to direct this film, describing it as “the birth of a hero, interweaving Gladiator with Norse mythology.” He went on to direct the superhero films Kick-Ass (based on the series from Marvel Comics imprint Icon) and for Marvel X-Men: First Class. In April 2006, screenwriter and “Thor” fan Mark Protosevich wrote a script for the film, which he described as “an Old Testament God who becomes a New Testament God.” However, the script was so laden with VFX-worthy sequences that it would require $300 million to film, so when Matthew Vaughn signed on, he rewrote and trimmed the script to bring the budget down to a more agreeable $150 million.”
I hope Vaughn continues working on comic book films. He grounds them in reality, while retaining the “super” element better than most writers/directors.

“Brad Pitt was rumored for the role of Thor; Channing Tatum and WWE wrestler Paul Levesque (aka Triple H) was considered for the part; Daniel Craig was the first choice; and Charlie Hunnam, Tom Hiddleston, Alexander Skarsgård, Liam Hemsworth and Joel Kinnaman tested for the role, but finally Liam’s brother Chris Hemsworth got the part. Tom Hiddleston initially auditioned for the role of Thor, but Kenneth Branagh felt he would make a better antagonist and cast him as Loki.”
After Troy, it’s really easy to see Pitt as Thor. Channing Tatum would have just ruined the entire movie with his cheese ball acting.

“It’s mentioned in passing that Thor’s hammer was forged inside “a dying star”. This actually makes a modicum of scientific sense. When a very large star dies in a supernova, sometimes its remains collapse to form a “neutron star”. These objects cram the mass of the sun into the size of a city, forming a new kind of matter nicknamed neutronium. A single teaspoon of this material would weigh billions of tonnes. If Mjolnir was made of this material, it would certainly explain its incredible weight.”
I just love when science and fantasy get mixed together.

“The agent that grabs up a bow when Thor is attempting to recover his hammer is referred to as Agent Barton, and appears in the credits as Clint Barton. Clint Barton is the real name of Hawkeye, the archer hero in the Avengers comics.”
Jeremy Renner played Barton in both Thor and The Avengers. Almost didn’t notice him the first time I watched Thor.

“To prepare for the role of Thor, Chris Hemsworth put on a massive amount of build and weight, through a six-month regimen of trips to the gym and indulging in a massive diet of eggs, chicken, sandwiches, vegetables, brown rice, steak and protein drinks. “
I eat the same things, but I don’t look like him…

“The post-credits scene was directed by The Avengers director Joss Whedon to connect his film with this one.”
That was a very smart move.



“Sam Worthington and Will Smith were in early talks for the role of Captain America. Later on Garrett Hedlund, Channing Tatum, Scott Porter, Mike Vogel, Sebastian Stan, Chris Evans, Wilson Bethel, John Krasinski, Michael Cassidy, Chace Crawford and Jensen Ackles were on the final shortlist for the role. Kellan Lutz, Ryan Phillippe and Alexander Skarsgård carried out auditions, but ultimately the role went to Chris Evans.”
Will Smith as the tanned Captain – Could have worked. It makes me sick to keep seeing Channing Tatum’s name in the running for any Marvel character.

“Contrary to popular belief, a body double was not used for Chris Evans for the scenes when he was skinny. The filmmakers had originally planned to hire a body double and superimpose Evans’ face onto the double’s body, but ultimately scrapped the idea since director Joe Johnston claimed that Evans moved in a unique way and that no body double could replicate his movements. Ultimately, the filmmakers utilized digital technology to “shrink” Evans down, essentially erasing portions of his physique, until they came up with what the filmmakers called “Skinny Steve”. Over 250 shots were filmed like this, and because the shrinking process left empty space in the background, many of the scenes had to be filmed in front of a green screen so that they could superimpose the backgrounds back into the scene. Even attempts to double him for long distance shots and the scene where Steve chases down Kruger failed due to Chris having a unique and unduplicatable way of moving.”
Spread the word. A lot of false tales being spun on this matter.

“Alice Eve, Gemma Arterton and Keira Knightley were considered for the role of Peggy Carter. Emily Blunt turned down the role.”
Would like to see Arterton in one of the Marvel movies one day.

“Originally cameo appearances were planned in the film for James Logan Howlett (Wolverine) and Erik Lensherr (Magneto), who were present during World War II (Logan was a soldier and Lensherr was a prisoner of war). These cameos were scrapped due to rights issues.”
I hope Marvel gets the rights to all of the movies based on their comics. They’ve proven they can handle their work better than the other studios.

“Stanley Tucci took the role of Dr. Erskine because the role enabled him to use a German accent, which he always wanted to do.”
Always a good reason to take a role.

“The film was originally meant to be a standalone film, but after Joss Whedon was hired to direct The Avengers he was given a copy of the film’s script and made a few rewrites to tie it in to the Marvel Cinematic Universe: “I just got to make some character connections. The structure of the thing was really tight and I loved it, but there were a couple of opportunities to find his voice a little bit – and some of the other characters – and make the connections so that you understood exactly why he wanted to be who he wanted to be. And progressing through the script to flesh it out a little bit.””
I’ll trust Whedon with any superhero film he’s connected to. Great writer and director.

“The comic version of Captain America’s shield is most commonly said to be a mixture of Vibranium and Adamantium. Vibranium = the shield’s ability to absorb vibrations; Adamantium = the shield’s (near) invincibility. However, because of the X-Men/Wolverine movies (which are not a part of the “Marvel Studios” universe), Marvel Studios left the Adamantium part out to avoid confusion with moviegoers who might think that it’s a reference to Wolverine. When Steve discovers the gunmetal circular shield in the development office of Howard Stark, he asks what it’s made from. Vibranium is a fictional element in the Marvel universe that comes from the country of Wakanda, the land where The Black Panther, another Marvel superhero, lives.”
They should have just left in the Adamantium. We’re not that stupid.



“Edward Norton was originally set to reprise his role from The Incredible Hulk but negotiations between him and Marvel Studios broke down. Norton was replaced with Mark Ruffalo. Ruffalo states it was an honour to take over as Bruce Banner from his friend Edward Norton: “Ed has bequeathed this part to me, I look at it as my generation’s Hamlet.” Before Ruffalo was cast as The Hulk, Joaquin Phoenix was rumored for the part.”
Ruffalo seemed to combine Eric Bana and Edward Norton in his performance.

“Mark Ruffalo is personally going to portray the Hulk through virtual-camera motion-capture, which allows him to actually portray the Hulk. Previous live-action versions have had Bruce Banner and the Hulk be played by separate people (Bill Bixby and bodybuilder Lou Ferrigno), or had the Hulk rendered into the film in computer-generated imagery. Lou Ferrigno voices the Hulk in this film.”
Worked out brilliantly.

“Chris Hemsworth had to increase and expand his dietary/food intake in order to maintain the physique he built up for Thor.”
Oddly, he looks slightly smaller in this movie than he did in Thor.

“Director Joss Whedon had earlier been considered to direct X-Men in the 1990s. A big fan of the X-Men, he even wrote a script, from which only two lines made it into the film.”
I would love to see his script.

“Has an unusually high number of Academy Award nominees in the cast and crew for a comic book movie – or most movies for that matter: Robert Downey Jr., Gwyneth Paltrow, Samuel L. Jackson, Jeremy Renner, Mark Ruffalo, cinematographer Seamus McGarvey, and possibly many others. “
Hopefully Whedon gets some Academy recognition one day.

From the left: Scarlett Johansson, Chris Hemsworth, Chris Evans, Samuel L. Jackson, Robert Downey Jr., Jeremy Renner, Mark Ruffalo and Joss Whedon.

“The cast became good friends while filming so if all the actors happened to be filming scenes together in the same place, they would go out together after.”
It would have been great if they went in their costumes.

“Despite the fact that the studio had no involvement in producing the film, neither in marketing or distributing, the Paramount Pictures logo still appears in advertising. Despite Disney buying the distribution of Marvel films from Paramount (as Marvel is a Disney company), the latter studio will still receive partial box-office royalties for these projects.”
Paramount’s logo is still shown at the start of the film, but Disney’s isn’t. That’s weird.

“Legal rights issues prevented a number of “Avengers” characters from their inclusion in this film. Most notably, these include Quicksilver and The Scarlet Witch, the twin children of X-Men) villain Magneto, and frequent adversaries Doctor Doom (nemesis of the Fantastic Four) and Norman Osbourne/Green Goblin (the primary antagonist of Spider-Man). Though all characters are owned by Marvel/Disney, the “X-Men” and “Fantastic Four” characters had all been licensed to Fox Studios, and those of “Spider-Man” to Sony before work began on an “Avengers” film. Marvel has said that in the future they hope to regain the rights to all licensed properties, that the aforementioned characters might have a role in subsequent “Avengers” films.”
Get those rights back Marvel!

According to Director Joss Whedon, The original cut of the movie was over 3 hours long. There will be about 30 minutes of the excised footage included in the DVD Release, most of which revolves around Steve Rogers (Captain America). Whedon revealed that one of these scenes involved Rogers struggling to adjust to the modern world in his Brooklyn apartment and another revealed Steve Rogers’ reunion with Peggy Carter, his love interest from Captain America: The First Avenger.”
I want a copy now! September is too far away.


All facts were taken from IMDB.

The Five-Year Engagement: Worth the Wait!

Emily Blunt, Jason Segel, Chris Pratt and Alison Brie all star in The Five-Year Engagement. Courtesy of Universal Pictures

Jason Segel and Nicholas Stoller are Hollywood’s leading dynamic comedy duo right now. After collaborating on hits like Forgetting Sarah Marshall, Get Him to the Greek, and The Muppets, hopes are very high for their latest comedy.

The Five-Year Engagement tells the story of a young couple who persistently postpone their wedding in order to meet their career goals. There’s a lot more to this story, but let’s not spoil the movie for you.

Segel and Stoller seem to have struck gold again with their fourth effort. This movie takes a different look at relationships and the sacrifices that are made in order to make them work.

Emily Blunt is hilarious with Segel and the rest of the cast. Her comedic timing really showcases her range in this movie. Alongside Blunt and Segel, their co-stars, Chris Pratt and Alison Brie really deliver the humour the script intended.

What drives the movie is the solid script from Segel, who has proved himself a talented comedic writer. The mix of off-beat gags and down to earth humour really draws in the audience to it’s modern look at relationships.

Bottom Line: Whether you’re on a date or single and looking for a laugh, you’ll find what you need with The Five-Year Engagement.

Grade B+

Runtime 124 minutes
3D: No

The Pirates! A Band of Misfits: A Barrel of British Satire!

Hugh Grant, Martin Freeman, Imelda Staunto star in The Pirates! A Band of Misfits. Courtesy of Sony Pictures

The most successful animated films have always found a way of entertaining both their younger target audience, as well as the taller folks accompanying them. This proved to be a challenge for the stop motion animation The Pirates! A Band of Misfits, which appeared to have little difficulty in entertaining the grown-ups, but fell short with keeping the children interested for the duration of the film.

The story centers on a blundering band of pirates, led by the inept The Pirate Captain (yes, that is actually his name), set out to snatch the highly coveted Pirate of the Year award from their rivals.

The cast is studded with recognisable voices, including Hugh Grant, Martin Freeman, Imelda Staunton, David Tennant, Jeremy Piven, Selma Hayek, Brian Blessed, Anton Yelchin, and Brendan Gleeson, to name a few. Not surprisingly, the actors handled the British humour with ease.

This welcome humour from across the ocean was provided by screenwriter and novelist, Gideon Defoe. His screenplay is littered with jokes for adults (not to be confused with adult jokes) that regrettably seemed to fly over the heads of the children in the audience.

Directors Peter Lord and Jeff Newitt, who have not directed anything in over a decade, succeeded, for the most part, in providing a lot of visual humour and entertainment for your toddlers. The audience never became restless watching the claylike characters’ wacky adventures.

As a comparison, The Pirates! A Band of Misfits falls somewhere between Chicken Run and Pirates of the Caribbean. If your children enjoyed either of those films, they’ll have a blast with this one.
Bottom Line: Parents, if you’re looking for a family friendly show that won’t put you to sleep, this movie willdo the trick.

Grade B-

Runtime 88 minutes
3D: Yes

Safe: Entertainment value high for target audience

Jason Stathan stars in Safe, Courtesy of Alliance Atlantis

When Jason Statham’s name is attached to any project these days high expectations do not ensue. Unfortunately, his handling of similar cars through busy streets, kicking the snot out some stunt guy, has become overly predictable. His latest movie, Safe, gives you much of the same from this former Olympic diver turned Hollywood action star.

In Safe, Luke Wright (Statham) finds himself caught between the Chinese mafia, the Russian mafia and a corrupt police force when he tries to protect a gifted Asian girl who holds valuable information.

Exploding with clichés and shoddy acting, this movie offers a lot of high energy action cloaked in a half decent story.

Statham’s performance is exactly the same as every other movie he’s been in. He has, perhaps, the least amount of range a successful actor can or should have, but all his roles require are his physical presence, so expectations should always be kept low.

There is some gut wrenchingly awful acting from the young Catherine Chan, along with most of her foreign castmates.

However, the well shot and choreographed action really delivered what most will be expecting from this movie. Director and writer Boaz Yakin (Remember the Titans) used welcomed variety of camera techniques, mixing steady camera and shaky camera to capture the combination of gun fights and hand to hand battles.

Bottom Line: If you’re a Statham fan, you’ll enjoy it. If you need an action fix, you’ll enjoy it too.

Grade C

Runtime 94 minutes
3D: No